UC Berkeley Art Practice
Department of Art Practice at UC Berkeley

Stephanie Syjuco

Allan deSouza

Associate Professor of Photography

Allan deSouza's cross-media works restage colonial legacies through counter-strategies of humor, fiction, re-inscription, and (mis)translation. As an example, a recent project, Through the Black Country, transposes Henry Stanley's 1870s East African expedition journals to England during the 2016 Brexit vote. DeSouza received an MFA in Photography from UCLA, a BA(Hons) Fine Art from Bath Academy of Art, England, and participated in the Critical Studies program of the Whitney Independent Studies Program.

email: adesouza13@berkeley.edu
website: www.allandesouza.com
Office: Kroeber Hall 339

Photo credit: Kija Lucas

Photo credit: Kija Lucas

Added Value, 2018 The San Francisco Museum of Modern Art A 1500-square-foot installation functioning as a radical reorganization of knowledge using "low value" used books, for sale to the general public. Conceived and organized by Stephanie Syjuco, …

Added Value, 2018
The San Francisco Museum of Modern Art
A 1500-square-foot installation functioning as a radical reorganization of knowledge using "low value" used books, for sale to the general public. Conceived and organized by Stephanie Syjuco, featuring Related Tactics, The Prelinger Library, the Friends of the San Francisco Public Library, and commissioned by the Public Knowledge initiative at the San Francisco Museum of Modern Art. The project raised $20,000 in two days to benefit education and community programs for the San Francisco Public Library. Photo: Jin Zhu.

Detail: Dodge and Burn (Visible Storage), 2019. Part of the solo exhibition "Stephanie Syjuco: Rogue States" at the Contemporary Art Museum St. Louis, Sept. 6 - Dec. 29, 2019.

Detail: Dodge and Burn (Visible Storage), 2019. Part of the solo exhibition "Stephanie Syjuco: Rogue States" at the Contemporary Art Museum St. Louis, Sept. 6 - Dec. 29, 2019.

Detail: Block Out the Sun, 2019. Photographic intervention in the archives of the Missouri Historical Society. Thirty archival pigment prints, 8" x 10", mounted on aluminum and displayed in custom vitrine.

Detail: Block Out the Sun, 2019. Photographic intervention in the archives of the Missouri Historical Society. Thirty archival pigment prints, 8" x 10", mounted on aluminum and displayed in custom vitrine.

Stephanie Syjuco

Associate Professor of Sculpture
Co-Director, Undergraduate Program, Art Practice Department
Faculty oversight: Ceramics Labs and The Project Lab, Art Practice Department

Email: ssyjuco@berkeley.edu
Website: www.stephaniesyjuco.com
Instagram: @ssyjuco
Office: Bauer Wurster Hall 176
Office hours: Wednesdays 12-1pm or by appointment. Sign up here.

Stephanie Syjuco works in photography, sculpture, and installation, moving from handmade and craft-inspired mediums to digital editing and archive excavations. Recently, she has focused on how photography and image-based processes are implicated in the construction of racialized, exclusionary narratives of American history and citizenship. She is the recipient of numerous awards, including a Guggenheim Fellowship Award, a Tiffany Foundation Award, and a Joan Mitchell Painters and Sculptors Award. She was a Smithsonian Artist Research Fellow at the National Museum of American History in Washington DC in 2019-20 and is featured in the acclaimed PBS documentary series Art21: Art in the Twenty-First Century. Her artist monograph “Stephanie Syjuco: The Unruly Archive” was released in spring 2024 by Radius Books, and features images and research produced during her Smithsonian Artist Research Fellowship.

Born in the Philippines in 1974, Syjuco received her MFA from Stanford University and BFA from the San Francisco Art Institute. Her work is in numerous collections, including at the Museum of Modern Art in New York, the Guggenheim Museum, the Metropolitan Museum in New York, The Getty Museum, the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Smithsonian American Art Museum, among others. A long-time educator, she is an Associate Professor in Sculpture at the University of California, Berkeley. She lives in Oakland, California.

As an artist scholar she has participated in numerous convenings including “Objects of Dispute: Material Culture” at Yale University (2017), “Rethinking the Peacock Room” at the Smithsonian Asian Art Museum (2022), “The Anarchival Impulse” at the National Gallery, Washington DC (2022).

At Berkeley she has taught courses in sculpture, social practice, photography, Junior Seminar, Senior Projects/Professional Practices, Special Topics, and Graduate Studio/Seminars. She oversees the Sculpture area with Professor Brody Reiman, the Ceramics area, and the Project Lab, which houses the Library of Tactical Knowledge.

Campus affiliations: Center for Southeast Asia Studies, The Center for Race and Gender (CRG), The Hearst Museum.

University Awards and Fellowships
Collaborative Research award, Mellon Foundation, New Strategies for the Humanities, Division of Arts and Humanities, 2020
Humanities Research Fellowship, 2019
Arts Research Center Fellowship, 2017
The Green Initiative Fund (TGIF), 2016
Presidential Chair Fellows Curriculum Enrichment Grant, 2015
COR Faculty Travel Grant, 2014

Courses Taught
ART 14 Sculpture Foundations
ART 21 Digital Photography: Foundations
ART 100 Big Ideas: Collaborative Innovation
ART 130 Advanced Sculpture: Concept and Construction
ART 133 Advanced Sculpture: Meaning in Material
ART 136 Advanced Sculpture: Radical Wearables
ART 141 Temporal Structures: Video and Performance Art
ART 160 Special Topics: Advanced Interdisciplinary Projects
ART 160 Special Topics: Art + Archive
ART 163 Social Practice: Critical Site and Context
ART 184 Junior Seminar: Meaning and Making
ART 185 Senior Projects/Professional Practices
ANTHRO196/HUM295 Collaborative Research Seminar: Tres Hornos: Earthen Ovens and Foodways of the Southwest
ARCH 209/ ART 209 Borderwall Urbanism (Global Urban Humanities Interdisciplinary Research Studio)
ART 218 Graduate Seminar: Theory and Criticism
ART 294 Graduate Studio Critique

Selected Honors and Awards
Louis Comfort Tiffany Foundation Award, 2021
Smithsonian Artist Research Fellowship Award, 2019
Guggenheim Fellowship Award, 2014
Joan Mitchell Painters and Sculptors Award, 2009
Eureka Fund Fellowship Award, Fleishhacker Foundation, 2001
Artadia Fellowship Award, 1999

Selected public collections
The Asian Art Museum, San Francisco
Berkeley Art Museum and Pacific Film Archive
Los Angeles County Museum of Art
The Fine Arts Museums, San Francisco
The Getty Museum, Los Angeles
The Guggenheim Museum, New York
The Metropolitan Museum of Art, New York
The Museum of Modern Art, New York
The San Francisco Museum of Modern Art
The San Jose Museum of Art
Smithsonian American Art Museum
Walker Art Center
The Whitney Museum of American Art

Represented by:
Catharine Clark Gallery, San Francisco
RYAN LEE Gallery, New York
Silverlens Galleries, Manila/New York


Recent Highlights

Selected Publications / Writing