Lower Division Courses
View the spreadsheet of Spring 2023 Art Practice classes listed by day and time
View the Spring 2023 Class Schedule.
The Course Catalog of the Berkeley Academic Guide shows all available courses taught in the department. Please note that not all classes listed are offered every semester.
All lower division courses are reserved for Art Practice majors, intended Art Practice majors, or by permission of instructor. Non-majors should fill out the Google intake form that is linked from the Class Schedule listings when enrollment opens.
ART 8: Introduction to Visual Thinking
This course explores how we observe and interpret our visual world. We will examine material from a wide range of sources, focusing on the social, political, and cultural connections, as well as the conceptual base and formal properties that comprise a particular visual/sensory experience. Two ongoing concerns will be the exploration of how art and life intersect, and how our perceptions of what constitute the “high” and “low” in collective culture establish our beliefs about art. The course requires the completion of three projects that stress the visual, intellectual and intuitive aspects of art making.
This course fulfills an Art Practice requirement and is a prerequisite for applying for the major.
ART 12: Drawing: Foundations
Students will explore a wide range of approaches to mark making, composition and materials for building a drawing practice. Students will engage with drawing from life as well as conceptual and abstract compositions. This course will feature lectures, field trips, visiting artists and demonstrations in order to expose students to a variety of applications, methods and techniques within the field of drawing. This course is a recommended prerequisite for upper division Drawing classes.
ART 13: Painting: Foundations
This course will introduce students to a broad scope of painting practices. Students will learn about and challenge conventions as well as experiment with modes of viewing, producing and engaging with painting within historical and contemporary contexts. This course will feature lectures, field trips, visiting artists and demonstrations in order to expose students to a variety of painting applications, methods and techniques. This course is a recommended prerequisite for upper division Painting classes.
ART 14: Sculpture: Foundations
This course introduces students to working with physical form and space. Students will build a strong conceptual foundation while developing practical studio skills needed to translate ideas into three dimensions. Shop practices will include hand, machine, and computer-aided fabrications. Field trips and illustrated talks will help acquaint students with sculptural ideas and practices from across history and in contemporary work. This course is a recommended prerequisite for upper division Sculpture classes.
ART 15: Ceramics: Foundations
This course will prepare students to use ceramics to explore and understand three-dimensional space. We will develop a practical understanding of how clay and glaze behave, while building a conceptual framework through which to apply this knowledge. Studio practice includes hand building, modeling, carving, and glazing as possibilities for turning ideas into three dimensional propositions. Assignments, critiques and class discussions will help acquaint students with the ideas artists have explored through history and in contemporary sculptural practices. This course is a recommended prerequisite for upper division Ceramics classes.
ART 16: Printmaking (Relief & Intaglio): Foundations
The process and techniques of traditional Relief and Intaglio are explored in this fine art printmaking course. Lectures and demonstrations introduce students to two of the historically oldest and most continuous of print processes. Unique drawing skills are demonstrated for students to render images onto linoleum and metal plates to produce small editions of relief and intaglio prints. Additional fees required.This course is a recommended prerequisite for upper division Printmaking offerings.
ART 17: Printmaking (Lithography & Screenprinting): Foundations
The process and techniques of traditional lithography and screen printing are explored in this lower division printmaking course. Lectures and demonstrations introduce students to the procedures and practices of these historic print processes. Specific and unique drawing skills are demonstrated for students to render images on limestone and create stencils to produce small editions of lithographs and screen prints. This course is a recommended prerequisite for upper division printmaking offerings. Additional fees required.
ART 21: Digital Photography: Foundations
This course introduces students to technical skills including manual functions of digital cameras, image creation and capture, file management and workflow, image adjustment and digital printing. Assignments will use primary Adobe software tools to test creative possibilities of both the camera and the computer. The course will introduce students to photography history and theory, and a range of contemporary practices. Group critiques and individual tutorials will help develop ideas and technical skills. By the end of the course, students should feel comfortable shooting digitally, editing and producing final images for print or the web. This course is a recommended prerequisite for upper division Photography classes.
ART 23AC: Digital Media: Foundations
Data and logic form core interfaces for information technology. New media art requires understanding their key dynamics. Students gain experience with data generation, visualization, and their impact on real persons, environments and situations. Can we measure, count and weigh everything? Is data fair? What is the role of privacy? How do digital conditions affect human conditions? From memes to machine learning, students participate in emerging data cultures including sampling, visualization, animation, video, interactive design, and music. Assignments follow readings on media and design theory, abstraction, interactivity, archives, performance, identity, privacy, automation, aggregation, networking, diffusion, diffraction and subversion.
ART 25: Graphic Novel: Foundations
Using the format of the graphic novel as a site of investigation, this studio production class will explore graphic novels as dynamic political, societal, historical, and cultural vehicles. Using creative research methods of analysis, fabrication, and collaboration, students will create their own graphic novel elements as artistic responses to their diverse life experiences. Production assignments will inform students about possible relations between text and image, frame and page, page and narrative arc, imagination and reality, and finally book and audience. Guest lecturers will share different writing styles, drawing and coloring techniques including digital painting, and storytelling methods.
ART 26: Moving Image: Foundations
A practical and critical introduction to time-based media, including video, performance and sound. Course instruction includes basic camera operations, sound recording, and lighting, as well as basic editing. Solo and group assignments are completed, and group critiques of class projects train students to recognize and discuss the formal, technical, critical and historical dimensions of their works. Weekly readings in philosophy, critical theory, artist statements and literature are assigned. The course also includes weekly screenings of films and videos, with lectures by visiting artists. This course is a recommended prerequisite for upper division Video classes.