UC Berkeley Art Practice
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Embodied Entropy


  • Worth Ryder Art Gallery 116 Anthropology and Art Practice Building Berkeley, CA 94720 (map)

Photos taken by Shayne Huang

Event Listing

Please join us for the opening of the honors student exhibition, Embodied Entropy, featuring the work of:

Manduhai Baatar
Erin Brookey
Rachel Choi 
Karla Lizethe Hernandez
Dionne Joelle 
Ella Rochelle-Lawton 
kahalla
Kat Davenport 

Curated by Eniola Fakile.

Show Run: April 6-19
Reception: Wed April 6, 4-6 pm

Regular Hours: M-Th 12 pm - 5 pm
Or by appointment


Worth Ryder Art Gallery
Anthropology + Art Practice Building 
Rm 116 (first floor)
UC Berkeley Campus: 
Near College Avenue and Bancroft Way

 

www.art.berkeley.edu/gallery



Exhibit Documentation

Overview

Dionne Herbold

Dionne Herbold, Safe Above the Furnace, 2021. Oil on Stretched Canvas, 55โ€ x 80โ€.
Dionne Herbold, Riverscape, 2022. Oil on Wood Panel, 38โ€ x 56โ€.
Dionne Herbold, Stretching (Edition I & Edition II), 2022. Screen Print Ink on Paper, 12โ€x 17โ€.
Dionne Herbold, Two Days After Sixteen, 2021. Oil on Stretched Canvas 40โ€ x 40โ€.
Dionne Herbold, Darci, 2022. Speckled Buff Ceramic and Glaze,  35โ€ x 26โ€ x ยพโ€.

Ella Rochelle-Lawton

Ella Rochelle-Lawton, Acclaimed, 2022. Video, 9:51.
Ella Rochelle-Lawton, Acclaimed, 2021. Installation with screen prints, variable dimensions.
Ella Rochelle-Lawton, Pink Painted Lady, 2021. Ceramic, 5โ€ x 5โ€ x 8โ€.
Ella Rochelle-Lawton, Civic Center, 2022. Cyanotype, 10โ€ x13โ€.
Ella Rochelle-Lawton, Commuter, 2022. Ink and Newsprint, 7โ€™ x 4โ€™.
Ella Rochelle-Lawton, The Living Dead Not a Loving Thread, 2022. Found object, embroidery.

Erin Brookey

Erin Brookey, To Prevent Ascension, 2020.Fabric neckties, cotton dress shirts, thread, wire and buttons, 73โ€ x 48โ€. 
Erin Brookey, The Hardest Hit, 2022.Hickory drumsticks, nails, wood glue, cotton dress shirts, thread and embroidery hoops,
85โ€ x 120โ€.
Erin Brookey, Fret Redirected, 2022.Cotton dress shirts, thread and embroidery hoops, 85โ€ x 48โ€.
These three installations use the remnants of former employment to address the interruption of progress and livelihood that has occurred over the past two years.

Kahalla

Kahalla, if i were Earth, 2022. Acrylic on wood panel, 2โ€™ x 2โ€™.
Kahalla, born Witness, 2022. Acrylic and red charcoal on wood panel. 13โ€™โ€™ x 46โ€™โ€™.
Kahalla, overstimulated, 2021. Acrylic and metallic paint on canvas, 16โ€™โ€™ x 20โ€™โ€™.
Kahalla, Seedkeeper, 2022. Acrylic and umber charcoal on wood panel. 4โ€™ x 4โ€™.
Kahalla, sky river, 2022. Acrylic, gesso, and spray paint on wood panel, 24.5โ€™โ€™ x 48โ€™โ€™.
Kahalla, decomposition I, 2022. Acrylic, gesso, and spray paint on wood panel. 13.5โ€™โ€™ x 49โ€™โ€™.
Kahalla, Land acknowledgement, 2022. Huichin soil and organic matter, 9โ€™ x 7โ€™ x 5โ€™.
Kahalla, decomposition II, 2022. Acrylic, gesso, and gold pigment on wood panel. 13โ€™โ€™ x 50โ€™โ€™.
Kahalla, Awi Usdi, 2022. Gesso and red charcoal on wood panel. 18โ€™โ€™ x 48โ€™โ€™.

Karla Lizethe Hernandez

Karla Hernรกndez, Los Lindos Recuerdos, 2022. Acrylic on fabric, 48 x 60โ€.
Karla Hernรกndez, Mi Madre, 2021. Acrylic on canvas, 24 x 30.

Kat Davenport

Kat Davenport, Accomplices, 2022. Acrylic  on canvas, 40" x 48".
Kat Davenport, And in The End, 2022. Acrylic on canvas, 36" x 48".

Manduhai Baatar

Manduhai Baatar, What Nourishes Me Destroys Me, 2021. acrylic on canvas paper, 16โ€ x 12โ€.
Manduhai Baatar, in the year of the water tiger, 2022. oil on wood panel, 18โ€ x 12โ€.
Manduhai Baatar, ั…ำฉำฉั€ั…ำฉะฝ ะฐะผะธั‚ะฐะฝ, 2020. acrylic on canvas paper, 16โ€ x 12โ€.
Manduhai Baatar, why was mary magdalene a whore? 2022. oil on wood panel, 18โ€ x 12โ€.
Manduhai Baatar, tragic spirits, 2021. plaster, clay, acrylic. 8โ€ x 7โ€.
Manduhai Baatar, Meet Me In Joshua Tree, 2022. oil on wood panel, 24โ€ x 18โ€.
Manduhai Baatar, crybaby, 2022. acrylic on wood panel, 10โ€ x 8โ€.
Manduhai Baatar, is there heaven forโ€ฆ? 2021. oil on canvas, 24โ€ x 36โ€.
Manduhai Baatar, self portrait 1, 2020. acrylic on canvas paper, 16โ€ x 12โ€.
Manduhai Baatar, i wish iโ€™d done everything on earth with you, 2020. oil pastel on canvas, 20โ€ x 24โ€.
Manduhai Baatar, to live and dieโ€ฆ 2022. oil pastel on wood panel, 14โ€ x 10โ€.
Manduhai Baatar, heaven or las vegas, 2020. model magic, copper wire, mesh fabric, acrylic, glitter, eyeshadow. 7โ€ x 2โ€.
Manduhai Baatar, a lover not a fighter from the series caption series, 2020. watercolor on paper, 12โ€ x 9โ€.
Manduhai Baatar, femme fatale fallen angel dark angel dead angel demon woman dead bleeding evil from the series caption series, 2020. watercolor on paper, 12โ€ x 9โ€.
Manduhai Baatar, fantasia 1, 2020. acrylic on wood panel, 24โ€ x 36โ€.
Manduhai Baatar, fantasia 2, 2020. acrylic on canvas, 18โ€ x 24โ€.
Manduhai Baatar, fantasia 3, 2020. acrylic on wood, 20.5โ€ x 20โ€.
Manduhai Baatar, ั‡ำฉั‚ะณำฉั€าฏาฏะด (demons), 2021. acrylic on canvas, 36โ€ x 24โ€.
Manduhai Baatar, Let Me Dieโ€ฆ Let Me Live! 2022. oil pastel on wood panel, 20โ€ x 16โ€.
Manduhai Baatar, Come Into My Palace, 2020. acrylic on canvas, 24โ€ x 36โ€.
Manduhai Baatar, untitled, 2022. oil pastel on wood panel, 14โ€ x 10โ€.
Manduhai Baatar, why is it easier to stayโ€ฆ than it is to go? 2021. acrylic on wood panel, 18โ€ x 24โ€.
Manduhai Baatar, he says he loves me but he treats me like he hates me, 2021. oil on canvas paper, 16โ€ x 12โ€.
Manduhai Baatar, self portrait 2, 2022. oil on wood panel, 16โ€ x 12โ€.
Manduhai Baatar, you will never own me and i will never love you from the series caption series, 2020. watercolor on paper, 12โ€ x 9โ€.
Manduhai Baatar, life told as an erotic novel from the series caption series, 2020. watercolor on paper, 12โ€ x 9โ€.
Manduhai Baatar, caption series, 2020. watercolor on paper, 12โ€ x 9โ€.
1. a lover not a fighter
2. you will never own me and i will never love you
3. femme fatale fallen angel dark angel dead angel demon woman dead bleeding evil
4. life told as an erotic novel

Rachel Choi

Rachel Choi, ๊ฐ€์กฑ (Family), 2022. Charcoal and acrylic paint on wooden boards, 46โ€ x 8โ€. 
Rachel Choi, Leap Frog, 2022. Intaglio print, 4โ€ x 4โ€.
Rachel Choi, Cultivation, 2022. Intaglio print, 4โ€ x 5โ€.
Rachel Choi, To Grandmotherโ€™s House We Go, 2022. Intaglio print, 6โ€ x 4โ€.
Rachel Choi, Luminescent, 2021. Intaglio print, 5โ€ x 7โ€.
Rachel Choi, Nostalgia, 2022. Intaglio print, 4โ€ x 6โ€.
Rachel Choi, Street Lamp, 2022. Relief print, 6โ€ x 8โ€.
Rachel Choi, Light of the Universe, 2022. Relief print, 10โ€ x 8โ€.
Rachel Choi, ๊ฐ€์กฑ (Family), 2022. Charcoal and acrylic paint on wooden boards, 46โ€ x 8โ€. 
Rachel Choi, Leap Frog, 2022. Intaglio print, 4โ€ x 4โ€.
Rachel Choi, Cultivation, 2022. Intaglio print, 4โ€ x 5โ€.
Rachel Choi, To Grandmotherโ€™s House We Go, 2022. Intaglio print, 6โ€ x 4โ€.
Rachel Choi, Luminescent, 2021. Intaglio print, 5โ€ x 7โ€.
Rachel Choi, Nostalgia, 2022. Intaglio print, 4โ€ x 6โ€.
Rachel Choi, Street Lamp, 2022. Relief print, 6โ€ x 8โ€.
Rachel Choi, Light of the Universe, 2022. Relief print, 10โ€ x 8โ€.

Earlier Event: April 1
Artist Talk: Wendy Red Star
Later Event: April 8
Lecture: Sumathi Ramaswamy