Squeak Carnwath was born in Abington, Pennsylvania. After receiving a Masters of Fine Arts from California College of Arts and Crafts in 1977, she began exhibiting her work in the San Francisco Bay Area where she continues to live and work. Carnwath taught at the University of California, Berkeley, from 1982 to 2010; she is now a Professor Emeritus at the University.
Carnwath’s work is exhibited widely and is in the collections of major institutions such as the San Francisco Museum of Modern Art and The Brooklyn Museum. In 2009, The Oakland Museum of California organized a large survey of Carnwath’s work, Squeak Carnwath: Painting is no Ordinary Object. Her work is shown at several galleries including John Berggruen Gallery in San Francisco, CA. Carnwath has received numerous awards including the Society for the Encouragement of Contemporary Art (SECA) Award from San Francisco Museum of Modern Art, two Individual Artist Fellowships from the National Endowment for the Arts, a Guggenheim Fellowship, and the Award for Individual Artists from the Flintridge Foundation.
- 338 Kroeber Hall
- Office Hours by appointment
John McNamara came to the Art Practice Department in the fall of 1993. In 1994 he developed and implemented the course “Art 8, Introduction to Visual Thinking,” an entry-level course focusing on the investigation of art processes and conceptual strategies. “Resource,” a reference guide for new Cal students, named it one of the most student recommended classes to take within the University. As well as teaching various painting and drawing courses, John is also responsible for the mentoring of the Graduate Student Instructors within the department. This process takes place within the 301 Pedagogy Course. In the spring of 2005 he received “The Faculty Award for Outstanding Mentorship Of GSI’s” from the GSI Teaching and Resource Center. John also developed a weekly critique seminar for the honor students within the department. » read more »
Jim Melchert was born in 1930 in Ohio. After his undergraduate studies in art history at Princeton he taught English in Japan for four years in exchange for the rich experience of living there. Returning to the States he earned degrees in painting at the University of Chicago and afterwards ceramics under Peter Voulkos at the University of California, Berkeley. Finding the Bay Area to be receptive to artists in the way that watering holes are to migratory birds, he settled in Oakland and thrived on the interaction among his colleagues and young artists at UC-Berkeley where he taught. In 1977 the National Endowment for the Arts brought him to Washington, DC to direct its Visual Arts Program for four years. From 1984 to 1988 he joined the American Academy in Rome as Director.
In the world of contemporary ceramics, Richard Shaw is the master of trompe-l’oeil sculpture. He has developed an astonishing array of techniques, including perfectly cast porcelain objects and overglaze transfer decals. By combining the commonplace with the whimsical, the humorous with the mundane, Shaw captures the poetic and the surreal with the sensibility of a comedian.Shaw is one of the most respected and collected artists in contemporary ceramics. He came out of the San Francisco Bay Area art scene in the late 1960’s and he continues to add to his skills and appropriate from mass culture. He has developed a vocabulary of found objects that form intimate still life sculptures, complex figures, and personally referential assemblages. He brings life to the detritus of the studio, as a cartoonist animates the page.
- 316 Kroeber Hall
- Office hours: Wednesday, noon - 1pm
Katherine Sherwood’s acclaimed mixed-media paintings gracefully investigate the point at which the essential aspects of art, medicine, and disability intersect. In addition to showing regularly throughout the United States, she co-curated the exhibition “Blind at the Museum” at the Berkeley Art Museum, and organized an accompanying conference at UC Berkeley. Sherwood was a recipient of a Guggenheim Fellowship 2005-2006 and a Joan Mitchell Foundation grant 2006-2007. She retired in mid-2016, and was featured in a retrospective exhibition at the Worth Ryder Art Gallery in October 2016. » read more »